Tamara’s appetite for music has become a passionate hunger to compose for film and multimedia. With a Bachelor Degree in Music Composition, and a Bachelor Degree (Honours) in Interactive Composition as well as specialised training in Film Scoring, Tamara commits herself to write, record and produce at the Industry Standards for every project she takes on.
The Melbourne based composer has worked with directors and producers from various Australian Universities and Film Production Companies which has granted Tamara the means and the momentum to infinitely explore originality and professionalism in her work.
With a strong background in music performance, being apart of the Melbourne Youth Music community as a child and having the exposure to an expansive variety of styles, artists, technologies and creative approaches has allowed Tamara to have a vast network of some of the highest calibre of musicians and producers in Melbourne.
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“From complex and layered film scores to simple music for corporate videos Tamara is always able to deliver on time and professionally. She can work well with both very specific briefs or little direction, and deliver something that brings profound improvement to the project. Her unique interpretation of my films always leaves me with a score that is never what I expect but always better than I could imagine.
Would go there again”
— Kristina Kraskov "Phenomena & Heavy Haulage Girls'"
"Working with Tamara was a wonderful experience. She was always able to articulate my thoughts through her music. I look forward to working with her again”"
— Kaz Ceh "The Flower Girl"
"Hired Tamara to compose and sound design my graduate film (my baby) and she really delivered. added new aspects to it that i couldn't have seen and made the story incredibly clear. bonus points for always being very contactable and clear in her communication."
- Milo Gluth "Greedy Limbo"
"Tamara was so lovely to work with. She really understood the vision for my film and collaborating with her was a pleasure!"
- Gila Fisher "Deep Six"
"Tamara was great to work with and a talented artist. She really understands the importance of sound in film and brings life to the picture. Would definitely recommend and work with again!"
- Melanie Millado "The Gender Game"
sound on screen
A brief look into my composition and sound design work for film, television, game, exhibition, stage and live performance.
'Out of Sight' a 360 short film by Reilly Archer (Music)
'Patrick' a short documentary by Kristina Kraskov (Music)
'First National Real Estate' audio branding (Music and Producer)
'Emergence' a live stage performance (Music and Direction)
'VCA Dance Showcase' a dance performance of the Victorian College of the Arts (Music and Sound)
'Death of Magic' [Game] (Contributing Music and Sound Design)
'Yesterday's Girl' [Feature Film} (Lead Sound Designer)
[IN PROGRESS] 'Riot Girl' [Web series] by Jayden Creighton ( Music, Sound Design and Sound Mix )
'Greedy Limbo' a short animation by Milo Gluth (Music and Sound Design)
‘Deep Six’ a short film by Gila Fischer (Music)
'Suppression' an art installation by ASTRA [Alix Whitelaw and Tamara Partridge] (Music and Sound)
'Dressed to Kill' short by Stephanie Aromataris (Music, Sound Design and Sound Mix )
'Objects in Space' [Game] (Contributing Composer, Music)
'The last few months I really thought I wanted to be alone, but now that I'm alone, I realise I don't want to be alone' [Live Installation] by Kim Munro (Music and Sound Design)
'The Rusty Hook' [animation] by Riley McLaren (Music and Sound Design )
'The Gender Game' by Melanie Millado (Music )
'Box Hill Institute's Music Promotion Campaign' [commercial] for Visual Domain (Music)
'Meat Week' [TV commercial] by Warren James Productions (Sound Design and Sound Mix )
'Heavy Haulage Girls' by a short documentary Kristina Kraskov (Music)
'Absolution' a short comedy by Dion Williams (Sound Design + Film Mix)
'Serenity' [game] (Game Music)
'Triple Spells' [game] (Game Music)
'How to Summon a Girlfriend' [game] (Game Music + Sound Design) 'Twiglands [game] (Game Music)
'Flower Girl' by Kaz Ceh (Music)
'Escape Velocity' by Riley McLaren (Music + Film Mix)
'The Return' by Gavin Davis (Music + Sound Design)
'Blood and Stuffing' by Harley King (Music + Sound Design)
'The Good Neighbour' by Morgan Taylor (Music + Film Mix)
'Promo Video' for Frankston Film Festival by Kristina Kraskov (Music)
'Wilson's Security Radio Advertisement' for Saxon Studio (Sound Mix)
'Phenomena' by Kristina Kraskov (Music + Film Mix)
'Finding Elizabeth' by Audrey Bosito (Music)